Bearded Indie-folk collective Fleet Foxes have just released a new animated video for The Shrine / An Argument; one of the most sprawling, rustically melodic tracks off Helplessness Blues (2011): and it’s an imaginative masterpiece.
If you aren’t aurally intimate with Fleet Foxes music, they’re the band that successfully made “choral folk” the new black back in 2008, with the release of their self-titled debut. It went platinum in the UK, but failed to captivate the US market - like a lot of quality indie music sadly - despite being one of the best releases of that year (in my humble book obviously… but seriously - get onto it).
Helplessness Blues isn’t an unworthy follow up either. The Shrine / An Argument’s animated video below (by Sean Pecknold & Britta Johnson) with its warm muted copper tones - colours I’ve always envisioned listening to their music – and intriguingly haunting little narrative, is what I would call the “Picasso’s gizz” – pure creative genius.
…And it got me to thinking how much consideration goes into the storytelling of animated music videos… and how the good ones can leave such a graphic imprint in the back of your mind. It’s a lot more than 3 dudes in a garage with a swinging light bulb that’s for sure!
With that in mind, here are the top 20 best animated videos that managed to capture the Radar team’s imaginations in recent years.
Let me know if I missed any!
Fleet Foxes – The Shrine / An Argument
Gorillaz - Stylo
Daft Punk – One More Time
Radiohead – Pyramid Song
Red Hot Chili Peppers – Otherside
Pearl Jam - Evolution
Goyte – Heart's a Mess
Moby – Why Does My Heart Feel So Bad
Grizzly Bear – Ready Able
MGMT – Time to Pretend
Sebastien Tellier – Look
Kanye West – Heard ‘Em Say feat. Adam Levine
The Chemical Brothers – Another World
Portisehead – The Rip
Tool – Sober
Architecture in Helsinki – Do the Whirlwind
Goldfrapp – Twist
Royksopp – Beautiful Day Without You
Coldplay – Strawberry Swing
Queens of the Stone Age – Go With the Flow
Showing posts with label MGMT. Show all posts
Showing posts with label MGMT. Show all posts
Dec 8, 2011
Dec 7, 2010
Bear Bands and Bear Hands
Having the word “Bear” as part of your band name seems to be a mystical precursor for quality music these days, badged by scout-leading bands like: Grizzly Bear, Bear in Heaven, Panda Bear, Boy & Bear, Bearhug (Sydney band), the former Bear Vs Shark and the Bearnaked Ladies (oops wrong bear…and they were shit weren’t they). And now these little Brooklyn based furry nuggets, Bear Hands join my personal sleuth.
The boys began to cause a stir via a steady slog of support slots on the New York indie scene back in 2007 (Vampire Weekend, Les Savy Fav etc) after the release of their debut Golden EP. But it’s been their latest LP drop Burning Bush Supper Club that’s finally starting to chink its way into the independent Aussie airwaves.
They could be likened to fellow Cantora Records psy-rockers MGMT (upon hearing the track “Camel Convention” – I was envisioning a strange bird-like creature losing control of its limbs in the desert – or perhaps recalling my last night out on the town…) but Bear Hands seem to have a more jaunty texture to their sound: fuzzed-out vocals and just enough reverb to claw over dynamic percussion arrangements: some rollicking and tambourine infused, some unsuitably standard - but sounded out sweetly either way with woodland-romping melodies and abstract lyrics. I don’t know about you, but I love non-figurative language in song writing: where the sound of a feeling becomes the story and the way you flesh it out internally, tells it (true poetry? You tell me).
One of my fave tracks off Burning Bush Supper Club would have to be “Julien” (you can here what I mean by woodland-romping) as well as “Tablasaurus” (which has an Empire of the Sun kind of flavour to it).
Will Bear Hands get their bear heads mounted up on indie music fan's cabin walls alongside the formidably talented Grizzly Bear and Bear in Heaven? Only time - and perhaps a handy air rifle will tell...
You can purchase Burning Bush Supper Club from the Bear Hands website or here on itunes(although only their Golden EP is available in Australia as yet), or you can lend your heart to “Julien” here on Hype Machine. Check out their first single of the LP “What a Drag” below:
The boys began to cause a stir via a steady slog of support slots on the New York indie scene back in 2007 (Vampire Weekend, Les Savy Fav etc) after the release of their debut Golden EP. But it’s been their latest LP drop Burning Bush Supper Club that’s finally starting to chink its way into the independent Aussie airwaves.
They could be likened to fellow Cantora Records psy-rockers MGMT (upon hearing the track “Camel Convention” – I was envisioning a strange bird-like creature losing control of its limbs in the desert – or perhaps recalling my last night out on the town…) but Bear Hands seem to have a more jaunty texture to their sound: fuzzed-out vocals and just enough reverb to claw over dynamic percussion arrangements: some rollicking and tambourine infused, some unsuitably standard - but sounded out sweetly either way with woodland-romping melodies and abstract lyrics. I don’t know about you, but I love non-figurative language in song writing: where the sound of a feeling becomes the story and the way you flesh it out internally, tells it (true poetry? You tell me).
One of my fave tracks off Burning Bush Supper Club would have to be “Julien” (you can here what I mean by woodland-romping) as well as “Tablasaurus” (which has an Empire of the Sun kind of flavour to it).
Will Bear Hands get their bear heads mounted up on indie music fan's cabin walls alongside the formidably talented Grizzly Bear and Bear in Heaven? Only time - and perhaps a handy air rifle will tell...
You can purchase Burning Bush Supper Club from the Bear Hands website or here on itunes(although only their Golden EP is available in Australia as yet), or you can lend your heart to “Julien” here on Hype Machine. Check out their first single of the LP “What a Drag” below:
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