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Sep 26, 2010

Flaming Lips New Video Featuring Stomping Naked Girl

Wayne Coyne of The Flaming Lips performing with giant hands
Known for their frenetic live performances (complete with human hamster ball in which front man Wayne Coyne rolls across a sea of adoring fans hands, like some modern-day Jesus) it is no wonder this latest video release by The Flaming Lips’ “See The Leaves” seems as if it was born from some sexually awakening hallucinogenic.

The video begins with a naked girl blindfolded in a creek, sipping at the juices from a giant weeping coconut (a coconut of the female persuasion it would seem), then as the song kicks off she proceeds to dance, limbs flailing, through streets, parks and car parks, rhythmically flicking yellow liquid from her squiggly nether regions. And who said Lady Gaga was controversial? You really have to watch this one yourself and reap your own profound post-modern meaning from it. Check it out below:



You might recall the Flaming Lips’ produced and released a sci-fi feature film entitled Christmas on Mars back in 2008 after 7 years in development. Apparently 7 years wasn’t long enough either; the film directed by Coyne and featuring the band as cast-members, receiving mixed-poor reviews.

Despite his “no holes barred” creative genius, Wayne Coyne is infamous for his over inflated ego; perhaps partially to blame for the film’s lethargic plot progression.

Ego’s fortunately seem to go hand in hand with a wicked sense of humour which is the case with Coyne (fairly safe to say where his other hand is). Check out some of his twitter rants:

“I think the best costume that can be worn is just people hanging around naked. When you’re with the Flaming Lips there is usually a bunch of naked freaks running around.”

“Most of the good rock things that I've done were actually done before I was in a rock band, like doing cocaine and having sex with people that you don't really know.”

“I want you to know your boobs are beautiful. They’re just wrong for my film, that’s all.”

Sep 23, 2010

Foals Spanish Sahara Bar 9 Dubstep Remix

Stumbled across this epic remix of Foals'"Spanish Sahara". Such an beautifully ethereal track off their latest release Total Life Forever, hard to believe a cranking dubstep reverberant baseline could possibly work. You will be surprised... Time to get your crunk on!

Sep 20, 2010

Let Glasser Take You Home...

It’s hard to believe Glasser is the orchestral yield of a single person: Cameron Mesirow. The one-woman wonder produces such vast expanses of sound that both bellow and wilt within the same refrain, you can imagine the seasons flickering by in time-lapse before each track dies. Amazing how something so synthetic can sound so organic: Cameron’s sea of vocal layers might have something to do with it: check out this first release of her forthcoming LP Ring called “Home” out via True Panther records on the 28th September.



If you like, there is also this dreamy Delorean remix of Glasser's track "Glad" streaming on her Myspace: www.myspace.com/glasssser

Sep 15, 2010

Lord Huron Has a Problem With Your Daughter... Find Out

Lord Huron Into The Sun Single
Came across this band Lord Huron whilst tripping through the new Myspace matrix (yes I still stroll the supposed ghost town from time to time) and was instantly moved by their self-proclaimed “pop/tropical” resonance.

“The Problem with Your Daughter”, baring resemblance to Fleet Foxes with its soft choral vocal harmonies, is definitely one of my picks and hopefully featured on band’s forthcoming EP Mighty (although has already been bundled in with a pre-released single “Into the Sun” pictured). The band’s Californian roots make for the perfect marriage of coast and country that perforates any plastic generalisation, leaving you serene and sun-drenched inside.

You can steam their EP on the Lord Huron Myspace page or you can buy the “Into the Sun” single from their website for $3.20 AUD (bargain!). Pitchfork also listed the melancholy professions of “When Will I See You Again” as one of their best new tracks, also one of my faves. Make sure you sit back and soak it up (preferably alone, overlooking the ocean…thinking about the one that got away).

Sep 14, 2010

Take a Step Back into Twin Shadow

Twin Shadow’s George Lewis jr has set his synth back to 80’s pop, pompadour-ed his hair back to 50’s rockabilly and spun out an album Forget sure to make some waves in 2010 (nu-waves?). The first single release of the album “Slow” begins with a steady drum-machine, which channels what sounds like a mix between Depeche Mode & New Order and builds into a wash of synth-string and bare-hearted Michael Hutchins/Anand Wilder style vocals blaring “I don’t wanna believe, or be in love”. It’s challenging not to make comparisons when some sounds strike tender nostalgic chords, but I have a feeling Twin Shadow’s Forget will forge new memories all on its own. The album is being released by Terrible Records, the label run by Grizzly Bear producer Chris Taylor. My personal other highlights are: “I Can’t Wait”, “Forget” and “Castles in the Snow”.

You can stream the album on the Twin Shadow Website in its entirety or check out George’s video for “Slow” below.


Twin Shadow 'Slow' (NSFW) from Twin Shadow on Vimeo.

Sep 12, 2010

“Lucky Shiner” by Gold Panda: it will hit you in the heart

Gold Panda‘Snow and Taxis’ (video below) is taken from London Dj/producer Gold Panda’s first LP release Lucky Shiner (Ghostly International) and was mixed by Simian Mobile Disco’s James Shaw. There is something about this beat-driven track laden with dancing chimes that gets under your skin. Gold Panda’s obvious Asian influence effervesces up memories of Sofia Coppola’s Lost in Translation: predominantly tracked by Kevin Shields wistful, melancholy sound-scapes. Apparently Gold Panda spent years studying Japanese language and culture, you can hear it in his music. You can download another one of my faves “Same Dream China” at RCRDLBL or stream the entire album at the Lucky Shiner website.

Let me know if you like it!

Snow And Taxis from Gold Panda on Vimeo.

Sep 9, 2010

Delorean “Real Love” live – Psyched for Parklife?

If this video is anything to go by, these guys are going to be cosmically coma-inducing (the coma of lurrrve) at Parklife. Cannot wait to see the Spanish four make my head swell and my feet shuffle. The boys have also done remixes for the likes of Franz Ferdinand (Alex Kapranos always has his finger on the pulse doesn’t he) and the likes of recent Mercury prize snatchers The XX.

Check it out and let me know your thoughts…

Delorean | FOR NO ONE from FOR NO ONE on Vimeo.

Sep 8, 2010

Deerhunter’s New Video Helicopter: from their forthcoming album Halcyon Digest

Drench yourself in the slow-dripping nostalgic juiciness of this new track from four-piece ambient-indie outfit Deerhunter from their forthcoming album Halcyon Digest. It sounds different to anything on Microcastle (2007/8) one of the great independent releases of that year: deliciously so. I for one, can’t wait to get a dose of the album in its entirety. It’s the culmination of the four members: Bradford Cox (also of Atlas Sound), Moses Archuleta, Josh Fauver and Lockett Pundt; after various other friends stage-lefting out of the line-up over the years.

Let me know what you think!

Sep 7, 2010

Ben Folds & Nick Hornby: the low-down on their trip down Lonely Avenue












If you’ve had at least one of your ears clag-pasted to the radio (namely Triple J) over the past month you would have managed to sample the latest release "From Above” by musician & songwriter: Ben Folds (Underground, Brick, Army) and literary quirk-ster/Academy Award nominee: Nick Hornby (High Fidelity, About a Boy).

Over dinner last year, the pair decided to sandwich together their artistic genius’ to plate-up the whimsical, piano-based pop-from-the-heart album, Lonely Avenue.

"There's such a wide world of things you can do with music," Folds told Billboard.com. "I feel like I can get a football player and have him tell his life story and turn it into music and I think it would be unique. With Nick, my biggest fear was he would send me great lyrics and I wouldn't be able to do anything good with them. I had complete confidence in him."

And that’s how it came to be: Hornby sent lyrics and off-beat anecdotes to Folds who weaved them into imagined melodies; later recording the songs onto two-inch tape for better vinyl audio quality, with string arrangements by Paul Buckmaster.

"It's precisely nine years since I started working on ProTools," he notes, "but after the experience of the last record (2008's Way to Normal), I just asked myself, 'Digital recording, is that helping my records?', because it was not fun. If it's not fun and it's making them better, great. But it's not that fun, and I don't think it's improved (the records). So I'm coming back to analogue simply because I really gave digital a full go and I appreciate it, but I like rewind time and I like making choices on the fly...and that's what you do when you're working with tape."

Ben Folds in the recording studio

Interesting to hear Folds change tact with production in making Lonely Avenue; he really manages to sound out Hornby’s stories with such beautiful emotional tension, meshing loneliness with a sweet, up-beat tempo. If working in analogue helped to enhance these elements, then perhaps nostalgia isn’t just a guilty pleasure.

Here is a taste of Hornby’s words taken from the track “From Above”:

They even looked at each other once across the crowded bar
He was with Martha, she was with Tom
Neither of them really knew what was going on
A strange feeling of never, heartbeats becoming synchronized

It's been that way forever but most of the time it's just near misses
And kisses once at a bookstore, once at a party
She came in as he was leaving and years ago at the movies
She sat behind him, the 6:30 showing of "While You Were Sleeping"

He never once looked around


Genius. Listen to it below:



Lonely Avenue is due out October 1.

Sep 2, 2010

20 Hottest Rockstars of this Decade: 2000-2010 (AKA the Noughties)

After stumbling upon blog entitled The Official Iggy Pop Shirtless Aging Timeline (pure gold) it got me to thinking what new age rockers of this decade (and ones that don’t resemble an old handbag) have left their sweat on our stages, their breath on our mics and their voices reverb-ing inside our skulls for so long after the pub/festival gates have shut that we can’t sleep for days; often waking up half-strangled in earphones with their latest offering on repeat.

This year’s Splendour in the Grass festival saw over 20,000 camp-ready punters explode over the rolling hills of Woodfordia like a tie-dyed tarpaulin in an effort to witness 3 days of some of the best musical talent scene-ing right now. And it may just have been the best 3 days of some of our lives.

With that in mind I will start this list off with one of the festival’s ultimate highlights…

(The rest of the list follows in no particular order)

Front man of the Strokes Julian Casablancas performing live

1. Julian Casablancas: The Strokes

Arguably dubbed the best rock voice of this generation, Julian Casablancas is the chief songwriter for The Strokes who formed back in 1998; their first album This Is It (2001) named by NME as their album of the decade. Massive chops to nab that title! The king-hit quality of their live performances beat any studio recording as Julian toys with quirky one-liners and anecdotes (“Flo-Mo, just Flow-in the Mo” – sorry Splendour “in” joke) before man-handling the mic for another round. Julian also released a solo album Phrases for the Young just last year to mixed reviews: it must be difficult to take a new direction with such an identifiable, sexually charged tone of voice. In his own words “Take it or Leave It” I guess!

Fave quote: “With a hundred ways to do a dozen things, why not try it all?”

Rock Cred Lyric: 29 different attributes, And only 7 that you like, uh oh, 20 ways to see the world, oh oh, Or 20 ways to start a fight – You Only Live Once

King's of Leon's Matthew and Caleb Followill performing live

2. The Followill Boys: Kings of Leon (sorry couldn’t separate them)

The Tennessee trio of brothers: Anthony aka Caleb (Lead vocals, rhythm guitar), Ivan (drums, percussion, backing vocals), Michael (bass, backing vocals); along with their cousin Cameron (Lead guitar, backing vocals) form the Southern-rock, testosterone-charged unit Kings of Leon. Since they are bound by blood I felt it unfair to separate the 4, who in recently years transformed their raw, twang-tailed version of rock into a more generic power-ballad production with the release of Only By the Night (2008). Despite this evolution finally achieving the boys chart success, a few people (myself included) were a bit disheartened by there new overly-produced sound (and maybe the fact that I saw pre-pubescent-boppers in school uniform screaming that their ‘sex was on fire’). Their new album Come Around Sundown is due out October. Let’s hope it packs a sweaty punch of raw riffs - right to the kisser!

Fave quote: "The other night there was someone on the front row and we had played a new song, and then we played 'Trani' which is off our first album. I saw the girl look at another girl and say, 'Is this another new song?' So it's like a lot of them don't know the difference."

Rock Cred Lyric: I cock and load my mergers when you question my mood, ‘Cause you ain’t got no taste. You talking 'bout my baby, I could flip him upside down and I could mop his place. – My Party

Arcade Fire's Win Butler & Régine Chassagne performing together

3. Win Butler & Régine Chassagne: Arcade Fire

Husband & wife duo Win & Régine, head up the famed Montreal Septet, Arcade Fire, who recently struck gold with their latest release “The Suburbs” which reached #1 on the US Billboard charts – almost unheard of where ‘quality’ music is concerned! Both Win & Regine have a background in Jazz: from their heritage or from being honed in their own bedrooms and both are multi-instrumentalists, some of which include: Mandolin, Violin, Guitars, Keys, Piano, Bass, Synth, xylophone, recorders, vocals (obviously) and the hurdy gurdy (strange version of a fiddle)! Arcade Fire’s unique song structure and chaotic rhythms can rattle you like turbulence or ghost right through you; intoxicating and undeniable. So much talent packed into the pants of these two characters it’s no wonder Win often wears suspenders.

Fave quote: “Some bands are just manipulating people to buy music. That’s how 90 percent of the record industry works! It’s basically the same as selling a fucking toaster or a cruise package.”

Rock Cred Lyric: Do you know where I was at your age? Any idea where I was at your age? I was working downtown for the minimum wage, And I'm not gonna let you just throw it all away! I'm through being cute, I'm through being nice. O tell me, Lord, am I the Antichrist?! - Antichrist Television Blues

Broken Social Scene's Kevin Drew live

4. Kevin Drew: Broken Social Scene & Kevin Drew

Kevin Drew is the chief architect behind the multi-talented, multi-instrumentalist anarchic collective that is Broken Social Scene (and possibly one of the best bands to ever cram up a stage). Drew and the member-changing outfit hail from Toronto in Canada and emerged as part of this new wave of Canadian sound sometimes dubbed “baroque pop” (music-journo speak I know, but it gives you an idea of the antique-usque arrangements of guitars, strings, horns, woodwind instruments and how the group meshes all the talents of it’s sometimes 10+ vagrant members). Drew even started his own record label Arts & Crafts which boasts artists like Phoenix, Feist (who he dated at one stage) The Dears, The Apostle of Hustle & more. For such a pint-sized shaggy-haired package, Drew can belt out one hell of a tune – it can be raw as f**k or serene wash of subtle – either way it is bound to bring you to your knees.

Fave quote: “We've always been a band that sings about exactly what's inside of us and exactly what's happening outside as well. Like, if we're screaming, let's have something to scream about.”

Rock Cred Lyric: When I was a kid, you fucked me in the ass, but I took my pen to my paper, and I passed you. You know I love the shit, 'Cause the shit tastes so good, I've got pastures waiting in the woods. - It’s All Gonna Break

Mumford & Son's Marcus Mumford: guitar in hand

5. Marcus Mumford: Mumford & Sons

Marcus heads up the alt-folk-rock troop Mumford & Sons. He plays everything from guitar to the drums to the Mandolin as well as lending his bellowing British-accented vocals to front-wall the house of his ‘sons’ harmonies. Mumford exploded onto the Australian music scene with potentially even more force than they did on their own turf with debut album Sign No More: “Little Lion Man” voted as the #1 song in Triple J’s 2009 Hottest 100. They are definitely one of the most phenomenal live acts to surface in recent times touting 4-way A Capella’s - and if you’re lucky enough - you might even get to throw down to a hoe-down worthy banjo solo. The best thing about Marcus is that his humble segways between songs show he is genuinely honoured to perform for fans. Bail me up some of that goodness!

Fave quote: “We used a 100-year old harmonium [to record the album] that I love. Although it's at my parents house, because I can't fit it in my flat. We borrowed a bunch on vintage guitars off people we knew [too].”

Rock Cred Lyric: But you rip it from my hands, and you swear it's all gone. And you rip out all I have, Just to say that you've won. Well now you've won. – I gave you all

Yeah Yeah Yeah's Karen O live

6. Karen O: Yeah Yeah Yeah’s

Karen O is the Geisha from hell, and one that can unleash a fire on a microphone to boot. She is of course front women to the New York trio, the Yeah Yeah Yeahs; an indie fusion of rock, dance, art, punk and screaming the f**king house down. Karen’s well known for her churlish tongue and crazy stage antics: when she is up there she totally owns it. It’s as if she is the human embodiment of confetti in a rocket launcher strapped to the gullet of a T-Rex. The band has released 3 LP’s: Fever to Tell, Show Your Bones and the most recentIt’s Blitz: taking a less brutal approach to song writing with the latter (my personal fave actually), but its one that will still make you scream their name all 3 times (preferably from a bed with Karen O in it).

Fave quote: “There’s no detachment when I’m up there. I don’t allow myself the distance. I’m fully putting myself out there for the people and for the sake of trying to lure them into the experience. I think that’s why it takes so much out of me. And I think that’s why I resent it to some degree. I feel like I’m picking up the slack for a whole generation of non-believers.”

Rock Cred Lyric: You can keep your black tongue, Well I found at the mortuary, you know I'm gonna want some want some – Black Tongue

LCD Soundsystem's James Murphy belting out a tune

7. James Murphy: LCD Soundsystem

He’s the big guy with the big voice and too much creative and technical skill to poke a drum stick at: writer, musician, producer and DFA Records co-founder; James Murphy. James is probably most well known for heading up the dance-post-punk (although their sound is completely unique) people of LCD Soundsystem. Their latest release “This Is Happening” was dubbed poignantly by Triple J as a “free-wheelin' masterpiece” – and it is. Fans were obviously nervous to see if Murphy could produce anything on par with the hectic magic of Sound of Silver (2007) which earned itself a Grammy nomination for best for best Electronic/Dance Album, but deliver he did. Hard to comprehend why but James is highly self-critical. He told Pitchfork recently “It's kinda soul-crushing in a way to listen to 'Perfect Day' and say, 'I'm gonna go write a song like that,' and it'll be fucking horrible by comparison.” Dude - what are you on about! All My friends, Someone Great and the epic This is Happening opener Dance Yrself Clean with a bass drop that will make you split your pants, Murphy – Daft Punk should be inviting you to play at their house!

Fave quote: "I make dance music, or disco... And dance music isn't really about anything. I can tell if it's working: 'Are people dancing? Yes.' Then I've achieved my goal.”

Rock Cred Lyric: I've heard lies that could curdle your heartstrings (Drunk girls). A couple truths, maybe burn out your eyes (Drunk boys). Drunk boys leave their irons in the fireplace (Drunk girls) 'Cause drunk girls give them too many tries – Drunk Girls

Foals' Yannis Philippakis focused in performance

8. Yannis Philippakis: Foals

The UK university town, Oxford has always been a breeding ground for artistic talent; so it was only a matter of time until indie five-piece Foals spawned. Yannis Philippakis (whose name coincidentally means 'little friend of horses’) fronts the band who with their latest release Total Life Forever have seen their cult following inflate to epic proportions. Yannis spruiks these high-pitched, angular vocal lines that can flick from ghostly to acidic on one phrase. Layer this over the top of the staccato-ed guitar riff style Foals pioneered (less severe on TLF than on Antidotes), and you’ll have to GPS the location of your own mind to find it. Yannis is said to write music that is ‘sonically tidy’ and it shows. You can lose yourself in the bands sound-scapes of dissonant chords but at the same time you can tell that’s exactly where they want you to be (in 100m, turn left). For a self-professed grouch and ‘boring homebody’ Yannis (who “boringly” leapt into the crowd after their recent Glastonbury set) and the boys have an on-stage energy that will pulsate to your core; it must be that Western feeling.

Fave quote: "There's an old school rock feeling at Reading and Leeds that you don't get anywhere else, people really releasing negative energy. If we had our way, there wouldn't be any barrier between the band and the crowd."

Rock Cred Lyric: I've been to the darkest place I know. You my dear shouldn't fear what lies below, it's just bones. Now you go softly soft, Picking out better bones than your own. Oh I see you creep in the dark. – What Remains

Bloc Party's Kele Okereke screaming out a song

9. Kele Okereke: Bloc Party

Openly poetic and overwhelmingly intense; Kele is the co-founder and front man of British band Bloc Party who tsunami-ed onto the scene earlier this decade, breaking down music genre barriers in their wake. I think everyone can remember the first time they heard 2005’s Silent Alarm, the hypnotic crescendo-ing drum beats of “Like Eating Glass” blew my mind, moved my feet and with one crack-hit of Kele’s piercing croon: addicted my being. Three albums later: still hooked. Kele’s also just released his first solo album The Boxer while Bloc Party are on hiatus which is definitely more of a retro-synth, dance-pop piece of production for the artist. He tours Australia solo for Parklife this year and it will be interesting to see if his stage presence resonates without Russell, Gordon & Matt in the half-light behind. (I think it might)

Fave quote: “When British music magazines say we're overly serious or po-faced, I think it's actually an indication that the mindset of people right now is to be completely apolitical and not be concerned about what's happening in the world. To try and draw attention to this, you're labelled as a political party person or something and I think that's sad.”

Rock Cred Lyric: You said you were going to conquer new frontiers, Go stick your bloody head in the jaws of the beast. We promised the world, we'd tame it, what were we hoping for? – Pioneers

Muse's Matt Bellamy in concert

10. Matt Bellamy: Muse

Hailing from Teignmouth, in Devon, Bellamy was always going to bring some kind of meat to the musical table (however strange the mash-up), and he did. Not only did Matt’s progressive metal vocal stylings cut through the wash of mediocrity back in the late 90’s, but the incorporation of rock-piano into Muse’s repertoire must have made many a kid out there re-think there mum’s constant pestering to practice their scales. And if that wasn’t enough, the Muse front-man is now dating Kate Hudson, who came to support him at their recent Coachella performance (you know you’ve made it when you’re bagged a movie star). Muse’s latest release (to the screwed-up faces of some of their earlier fans) The Resistance (2009) peaked at No. 3 of the US charts and they premiered it earlier this year at The Big Day Out.

Fave quote: “We were all off our faces on mushrooms when we recorded Plug In Baby... There was this big field next to the recording studio filled with them. So we ate them all. I don't know what we were doing, but we all ended up naked in a Jacuzzi and I went deaf in one ear from falling asleep in the sauna...”

Rock Cred Lyric: You'll make us wanna die, I'd cut your name in my heart. We'll destroy this world for you, I know you want me to. Feel your pain – Space Dementia

11. Thomas Mars: Phoenix
12. Liam Howlett: Prodigy
13. Tom Meighan: Kasabian
14. Ben Goldwasser and Andrew VanWyngarden: MGMT
15. Beth Ditto: The Gossip
16. Wayne Coyne: The Flaming Lips
17. Thom Yorke: Radiohead & Thom Yorke
18. Jake Shears and Ana Matronic: Scissor Sisters
19. Dougy Mandagi: The Temper Trap
20. Mathangi "Maya" Arulpragasam: MIA

Wild Card: Kevin Parker – Tame Impala
Wild Card: Lawrence Greenwood - Whitley
Wild Card: Jonathan Boulet – Parades & Jonathan Boulet

Please add comments or any you think I have missed!!
Peace out. x

Sep 1, 2010

Went to Oxford Art Factory last night to see WIM and Deep Sea Arcade, two great Sydney bands who I have seen quite a bit of back in my days of working behind the bar there (the good old days). WIM have really taken their music to a new level. I was totally blown away! Keep an eye out for this band...

Listen to WIM here.